Linda Helmick

(she/her)

Is an Artist, Researcher, and Associate Teaching Professor of Art Education at the University of Missouri. She earned her Ph.D. in Curriculum and Instruction, Art Education at Indiana University, an M.A. in Painting from the University of Indianapolis, and a BFA in Painting from the Herron School of Art and Design.

Helmick’s creative and scholarly work resides at the intersection of visual art, critical theory, and arts-based research. Grounded in the belief that creative expression is a basic human right, her work examines how art can support healing, critical consciousness, and community connection in educational and social contexts.

As a painter working in encaustic and mixed media, Helmick creates meditative, process-driven works that explore memory, place, and identity. Her studio practice informs her teaching and research, particularly in areas of trauma-informed pedagogy, therapeutic arts, and arts-based inquiry.

Professional Background

Education

Ph.D.

  • Curriculum and Instruction, Art Education
  • Indiana University, Bloomington, IN (2019)

M.A.

  • Fine Arts Painting
  • University of Indianapolis, IN (2014)

M.A.

  • Teaching
  • University of Indianapolis, IN (2009)

B.F.A.

  • Painting
  • Herron School of Art and Design at IUPUI, IN (2000)

Additional coursework

  • Changsha University, China (1997)

Academic Appointments

2025–Present —

  • University of Missouri, Associate Teaching Professor and Emphasis Leader of Art Education

2023–2025 —

  • University of Missouri, Assistant Teaching Professor and Emphasis Leader of Art Education

2019–2023 —

  • University of Missouri, Assistant Professor and Emphasis Leader of Art Education

2021–Present —

  • Doctoral Faculty, University of Missouri

2020–Present —

  • Graduate Faculty, University of Missouri

2014–2019 —

  • Indiana University Bloomington, Associate Instructor

2007–2014 —

  • Bishop Chatard High School, Indianapolis, IN, Visual Arts Teacher

Awards & Honors

2025 —

  • Higher Education Art Educator of the Year, Missouri Art Education Association

2024 —

  • Murray Greenberg Emerging Scholar Award, National Art Education Association

2023 —

  • NAEA School for Art Leaders at Crystal Bridges Museum of American Art

2023 —

  • Outstanding Commitment to Inclusion, Diversity & Equity – Faculty Award, College of Education & Human Development

2022–24 —

  • Arts & Humanities Research and Creative Works Fellows Program

2022 —

  • Best of Show, Missouri Art Educator Association Juried Art Exhibition, St. Louis, MO

2019 —

  • Nominee, AERA ABER Outstanding Dissertation Award

2019 —

  • Associate Instructor Outstanding Teaching Award, Indiana University

2019 —

  • Daisy M. and Vivian L. Jones Fellowship, Indiana University

2019 —

  • M. R. Lowell Fellowship, Indiana University

2018 —

  • M. R. Lowell Fellowship, Indiana University

2017 —

  • NAEA Indiana Art Educator of the Year

2016 —

  • AEAI Outstanding Indiana Art Educator of the Year

2016 —

  • AEAI Higher Ed Educator of the Year

1997 —

  • Reverend Frazier Overseas Study Grant to China, IUPUI

Selected Exhibitions

2025

  • Boone County Art Show — Second Place, Painting Division, Columbia, MO

2025

  • Pride Vibes — Orr Street Studios LGBTQ Show, Columbia, MO

2024

  • Friedl Dicker Brandeis: A Legacy of Love — Columbia Art League, Columbia, MO

2024

  • A Queer Show — Columbia Art League, Columbia, MO

2023

  • A Legacy of Love — Solo Exhibition, Serendipity Salon and Gallery, Columbia, MO

2022

  • If you cut open my body, thousands of words will fall out — Best of Show, MAEA Juried Exhibition, St. Louis, MO

2022

  • Qualia — Solo Exhibition, The Bridge, College of Education, University of Missouri

2021

  • This is what love looks like — Solo Exhibition, Solar Gallery, Unity of Columbia, MO

2021

  • The Grace of Beatrice — Divine Comedy Exhibition, Columbia Art League, MO

2019

  • Extraordinary expressions of trust and vulnerability — Solo Exhibition, Wylie House Museum, Bloomington, IN

2016

  • Leading by visual voice: Women's Caucus Juried Exhibition, NAEA National Conference, Chicago, IL

Grant Funding

2024–26 —

  • Empowering women through creative therapeutic arts activity. College of Education Rural Schools Initiative Grant — $25,000

2022–24 —

  • Art Teacher Professional Development. Arts & Humanities Research and Creative Works Fellows Program — $12,500

2021–22 —

  • The pedagogic legacy of Friedl Dicker Brandeis. Research Council Grant — $10,000

2022 —

  • If you cut open my body, thousands of words will fall out. MAEA Professional Development Grant — $1,000

Selected Presentations

2025 —

  • Assembled Stories, Cultural Identities. Prague-Education Conference, Czech Republic (International)

2025 —

  • Keynote: A Look at Art, Love, and Survival Through the Lens of Arts-Based Research. Mid-Atlantic Regional Conference, Randolph College, Virginia

2024 —

  • A therapeutic arts-based professional development with art teachers. WAAE Summit, Athens, Greece

2024 —

  • Super Session: School for Art Leaders at Crystal Bridges. NAEA Conference, Minneapolis, MN

2024 —

  • Pearl and Murray Greenburg Award Paper Presentation. NAEA Conference, Minneapolis, MN

2023 —

  • A legacy of love: Friedl Dicker Brandeis. NAEA Conference, San Antonio, TX

2023 —

  • Empowering women through online creative arts activity. International Congress of Qualitative Inquiry, Champaign, IL

2021 —

  • Disrupting the primacy of language through expressive portraiture. International Congress of Qualitative Inquiry, Champaign, IL

2018 —

  • Let them eat cake: Exploring elitism in the domestic arts. International Congress of Qualitative Inquiry, Champaign, IL

2017 —

  • An insider perspective. Ethnoarts Conference, Porto, Portugal

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Artist Statement (cont.)

I create paintings that function as visual bridges between personal history, material process, and broader human experience. Working in encaustic and mixed media, I am particularly interested in layering, translucency, and the ways surfaces can hold traces of time, memory, and transformation. The slow, meditative nature of encaustic painting allows making to become a form of reflection and embodied thinking.

Across my work as an artist, teacher, and researcher, I explore how creative practice can foster meaning-making, healing, and critical awareness. My work is ultimately concerned with understanding what it means to be human and how art helps us make sense of our lives.

Commissions

A Work of Art Made For You

Each commissioned piece is a collaborative conversation — an opportunity to explore memory, place, and meaning through encaustic and mixed media.

Reach out to begin the process.